The 77F is a custom-made mic system that consists of: LCM 77 element (in black) + gooseneck clamp.
It’s attached to the bell in stead of to the tubes. It can be easily clipped over from Trumpet to Flugel. Designed for players that have to switch a lot from different trumpets during a concert.
SD Systems’ instrument microphones are reaching today’s highest standards in instrument miking. The LCM77 has a very light and translucent tube and can be easily clipped and adjusted on the tube of your trumpet, while having the freedom of using the mute. The mic element has a very flat frequency response and can handle the loud sound pressure level of the trumpet. The elegant LCM77 is perfectly harmonizing with the style of the trumpet.It’s designed in close cooperation with the former sound engineers of the late Miles Davis.
Great design, following the syle of your trumpet
You can use the mute easily
Designed with Miles Davis
Endorsed by Chris Botti of Sting
PURE & CLEAR sound
including preamp with tone and volume controls
Sensitivity at 1 kHz.
8 mV/Pa +/- 2,5 dB
Signal to Noise ratio
> 64 dB
Max Sound pressure level
135 dB at 1% THD
9V or phantom power 48-52V
at 1 kHz: 1 K ohm
+/- 150 mA.
SD Systems is world's finest manufacturer of instrument microphones, covering all acoustical instruments. In the Jazz field our mics have become the standard. They illuminate your inspiration live on stage and in the studio field, giving you freedom of movement and pure natural sound reproduction.
SDS mics are highly appreciated by truly dedicated musicians and technicians, because of the flat frequency response, uncolored sound and the perfect shock-mounts.
Herb Alpert plays LCM77, Jeff Kashiwa (Rippingtons & John Tesh) plays LDM94 & LCM70, Terence Blanchard plays LCM77, Marcus Miller plays LCM82B & LCM80EW, John Helliwell (Supertramp) plays LCM82 & LCM80 & LDM94, Michael Davis (Rolling Stones Horn section) plays LDM94.